Showing posts with label Dire Straits. Show all posts
Showing posts with label Dire Straits. Show all posts

Tuesday, June 23, 2026

The Secret To His Success

 He's done pretty well for a guy with no grade point average. 

 

Bruce McGill.  Daniel Simpson Day or D-Day from Animal House, the guy with no grade point average at Faber College.  Animal House in 1977 was Bruce's second credited film.  Since then he's appeared in more than 70 theatrical films, 20 TV films, 4 miniseries, and over one hundred TV episodes.

He was Sheriff Dean Farley in 1992's My Cousin Vinny, Walter Hagen in 2000's The Legend of Bagger Vance, and Secretary of War Edwin Stanton in 2012's Lincoln. And he's still working.

In 1985 he guest starred as retired police officer Hank Weldon in one of Miami Vice's classic episodes, "Out Where The Buses Don't Run".  Weldon left the force after having a breakdown when a case he meticulously built against drug lord Tony Arcaro fell apart when Arcaro walked on a technicality. Arcaro is supposedly still around but Crockett and Tubbs have trouble finding him.  This is the final scene.  As usual Miami Vice has a great soundtrack, this time it's Brothers In Arms from Dire Straits. 

Wednesday, December 6, 2023

Romeo And Juliet

One of my favorite pieces of music.  An exquisite and moving song about a love gone awry due to bad timing.  Beautiful melody, lyrics, and music capped by Mark Knopfler's mumbled croaking voice which suits the song.  Bracketed by a perfect piano intro and Knopfler's sparse but evocative endpiece, finger-picked on his steel guitar.

This 2006 live performance is far superior to the studio version recorded in 1981.  The video says it is Mark Knopfler and Emmylou Harris but that is incorrect.  It is from a tour the two of them did together, but only Knopfler appears on this.

You and me, babe, how about it?

A lovestruck Romeo sang the streets a serenadeLaying everybody low with a love song that he madeFinds a streetlight, steps out of the shadeSays something like, "You and me, babe, how about it?"
Juliet says, "Hey, it's Romeo, you nearly gave me a heart attack"He's underneath the window, she's singing, "Hey, la, my boyfriend's backYou shouldn't come around here singing up at people like thatAnyway, what you gonna do about it?"
 
"Juliet, the dice was loaded from the startAnd I bet, and you exploded into my heartAnd I forget, I forget the movie songWhen you gonna realize it was just that the time was wrong, Juliet?"
 
Come up on different streets, they both were streets of shameBoth dirty, both mean, yes, and the dream was just the sameAnd I dreamed your dream for you and now your dream is realHow can you look at me as if I was just another one of your deals?
 
When you can fall for chains of silver you can fall for chains of goldYou can fall for pretty strangers and the promises they holdYou promised me everything, you promised me thick and thin, yeahNow you just say "Oh, Romeo, yeah, you know I used to have a scene with him"
 
"Juliet, when we made love, you used to cryYou said 'I love you like the stars above, I'll love you 'til I die'There's a place for us, you know the movie songWhen you gonna realize it was just that the time was wrong, Juliet?"
 
I can't do the talks like they talk on the TVAnd I can't do a love song like the way it's meant to beI can't do everything but I'll do anything for youI can't do anything except be in love with you
And all I do is miss you and the way we used to beAll I do is keep the beat, the bad companyAll I do is kiss you through the bars of a rhymeJulie, I'd do the stars with you any time
 
"Juliet, when we made love you used to cryYou said 'I love you like the stars above, I'll love you 'til I die'There's a place for us you know the movie songWhen you gonna realize it was just that the time was wrong, Juliet?"
 
And a lovestruck Romeo, he sang the streets a serenadeLaying everybody low with a love song that he madeFind a convenient streetlight, steps out of the shadeHe says something like, "You and me, babe, how about it?"
"You and me, babe, how about it?"

Tuesday, October 31, 2023

Great Minds Meeting

 Brian Johnson (AC/DC) and Mark Knopfler are both from the North of England, Newcastle to be specific.  Brian has done a series of interviews for his show and this is an excerpt from his interview with Knopfler, done at the site of the former Spanish City amusement park, the setting for Knopfler's great tune Tunnel of Love, which he says he wrote in response to Springsteen's songs centered on American landmarks.  A fun interview which towards the end even has a Spinal Tap moment as the two try to sing a song they heard as kids 60 years ago.

And this is Tunnel Of Love

Wednesday, May 17, 2023

Brothers In Arms

Today marks 38 years since the release of Dire Straits fifth studio album Brothers In Arms, which has sold more than 30 million copies worldwide.  The big hit from the album was the gimmicky Money For Nothing with its groundbreaking video shown endlessly on MTV, but for me the highlight was the song Brothers In Arms, which I've posted on before but will continue to do so as I find it so beautiful and remains one of my favorite songs.  This version is from a 1996 live performance by Mark Knopfler.  The song's lyrics (here artfully mumbled in Knopfler's rough voice) and his evocative, big fat note guitar playing make quite a combination.

Wednesday, August 4, 2021

Miami Brothers In The Arms Of Vice

From the second season of Miami Vice, a show I watched very infrequently.  Closing scene of the episode Out Where The Buses Don't Run.  The show often featured popular music, but not just short clips which was the usual TV approach, instead playing long excerpts of mood-making music with very little dialogue.  Here it is one of my all-time favorites, Brothers In Arms by Dire Straits when Crockett and Tubbs investigate an abandoned warehouse.  

Everyone in this scene is a Miami cop. At the beginning is Edward James Olmos, Crockett and Tubbs' supervisor.  Next up is Bruce McGill, also known for playing D Day in Animal House and Secretary of War Edward Stanton in Lincoln, and finally David Strathairn, Eddie Cicotte in Eight Men Out, the Jason Bourne movies, Secretary of State William Seward in Lincoln, while appearing in about a million other films.

Miami Vice featured an innovative color and style palette imposed by director Michael Mann, who also employed a lot of shots not seen on TV before that are now standard in movies and cable.  See, for instance, the close up of the moving wheel on Crockett's car and the shot where the car accelerates away from the camera.

Thursday, February 25, 2021

Thursday, September 10, 2020

Knopfler Binge

This started out as simply a post of a concert version of Mark Knopfler's Brothers In Arms from the final show of his 2019 tour.  One of his finest and I never fail to be moved by his guitar with those fat tones, grace, and restraint.  While recognized as a superb guitarist he remains underrated as a lyricist.  Well, you know how it is venturing into the swamp of YouTube and I spent an hour watching and listening to Knopfler (and Dire Straits) so I've added a few more links to What It Is, Romeo & Juliet, Once Upon A Time In The West, Going Home (the theme from Local Hero), and the stunning closing solo on Tunnel Of Love.



Friday, September 13, 2019

Romeo And Juliet

Read recently that this year marks the 50th anniversary of Zefferelli's movie version of Romeo & Juliet which got me thinking of the Dire Straits song.  Here is a recent version by Mark Knopfler (despite the YouTube title, Emmylou Harris does not make an appearance).  Because of travel I'm missing Knopfler's appearance in Phoenix on September 21 which I would have very much like to have seen.

While doing a little background research, I realized that when I saw Dire Straits play in Boston in 1979 it was the first show on their first US tour.

Here's Romeo & Juliet followed by Dire Straits playing Sultans of Swing in 1979.  I've never gotten tired of listening to that song.



A lovestruck Romeo sings the streets a serenade
Laying everybody low with a love song that he made
Finds a streetlight, steps out of the shade
Says something like "You and me babe: how 'bout it?"

Juliet says, "Hey, it's Romeo. You nearly give me a heart attack."
He's underneath the window; she's singing, "Hey, la, my boyfriend's back.
You shouldn't come around here singing up at people like that.
Anyway what you gonna do about it?"

Juliet, the dice was loaded from the start
And I bet, then you exploded in my heart
And I forget, I forget the movie song
When you gonna realize it was just that the time was wrong, Juliet?

Come up on different streets, they both were streets of shame
Both dirty, both mean, yes, and the dream was just the same
And I dreamed your dream for you and now your dream is real
How can you look at me as if I was just another one of your deals?

When you can fall for chains of silver you can fall for chains of gold
You can fall for pretty strangers and the promises they hold
You promised me everything, you promised me thick and thin, yeah.
Now you just say, "Oh, Romeo, yeah. You know, I used to have a scene with him."

Juliet, when we made love you used to cry
You said, "I love you like the stars above, I'll love you 'til I die."
There's a place for us, you know the movie song
When you gonna realize it was just that the time was wrong, Juliet?

I can't do the talks like they talk on the TV
And I can't do a love song like the way it's meant to be
I can't do everything but I'll do anything for you
I can't do anything except be in love with you

And all I do is miss you and the way we used to be
All I do is keep the beat, the bad company
All I do is kiss you through the bars of a rhyme
Juliet, I'd do the stars with you any time

Saturday, November 24, 2018

Rockin' The 70s


1970s that is.  A continuation of my post on concerts I attended during the 1970s.  I'm certain I'm forgetting some from this decade.

May 23, 1970
Jefferson Airplane
U of Wisconsin Field House
Madison WI

From the date, this is probably the last thing I did in Madison before leaving.  I spent my freshman year of college (1969-70) at the University of Wisconsin and then decided to drop out.

We sat in the bleachers in the field house for an afternoon show.  The school year had been disrupted by demonstrations, strikes, and violence, and then collapsed in the wake of the Cambodia invasion and Kent State, so it was appropriate that it ended with the Jefferson Airplane in its peak craziness phase playing songs from the overwrought Volunteers album.  

October 13, 1970
Chicago
Capitol Theatre
Port Chester, NY 

Back when the band was hard rocking.  Good show.

1970 or 71
The Kinks
Wesleyan University
Middletown CT

As readers know I am a yuuge Kinks fan.  My dim recollection is this was a typically shambolic Kinks show - they were probably drunk - in a gym where we sat in the floor. That's all I got for you.

June 26, 1971
Allman Brother Band
J Geils Band
Albert King
Fillmore East
East Village
Manhattan NY

Last night of the Fillmore East.  Amazing show.  Went to hear J Geils and Albert King (who were wonderful) but came out a fan of the Allman Brothers who were astonishing - they hit the trifecta with Hot 'Lanta, Whipping Post, and most of all, In Memory Of Elizabeth Reed.  Here's my full recollection. As I left the first show that night I walked past the future Mrs THC who was in line for the second show.

July 1971
Jethro Tull
Capitol Theatre
Port Chester, NY 

The Aqualung tour.  Great show.  Ian Anderson whirling and hopping around.  Will always remember Martin Barre's sizzling guitar on Aqualung.


1971 or 72
Chick Correa
Clark University
Worcester MA

Held in a lounge area on campus.  Was not familiar with the pianist at the time but really enjoyed it.  

1971 or 72
Jesse Colin Young
Clark University
Worcester MA

One of the most underrated bands of the 60s was The Youngbloods, founded by Jesse Colin Young, who did one of the best, and least known, songs of the 60s - Darkness, Darkness. By the early 70s, Jesse embarked on a solo career.  The man had a gorgeous voice.

1972 or 73
John Lee Hooker
Sir Morgan's Cove
Worcester MA

The legendary king of the one chord boogie (for more read this THC post).  Great show.  The man was an intimidating presence.

The venue was a small club in Worcester, where acts usually played for 4 or 5 nights in a row.  In another incarnation, after Sir Morgan's moved down the street and changed its name, it was where The Rolling Stones launched their 1981 US tour with a surprise tune up.

(Yep, this is the place)

July 1972
The Rolling Stones
Stevie Wonder
Madison Square Garden
Manhattan NY

The Exile On Main St tour.  In the balcony for this sold-out show.  At the time I liked Stevie Wonder but was not a true fan.  Today, I am and have a lot of his music in my iTunes library.  The Stones were good, not great.  Towards the end of the show they turned the lights on in the Garden and the crowd went nuts for the rest of the concert.

August 1972
The Kinks
Dr Hook & The Medicine Show
Berkeley Community Theater
Berkeley CA

Another Kinks show I don't remember well except they did a lot of material from their fine Muswell Hillbillies record.  Dr Hook & The Medicine Show were best known for On The Cover Of Rolling Stone and the execrable Sylvia's Mother.

1972 or 1973
James Cotton Blues Band
Sir Morgan's Cove
Worcester MA

I also saw at least one other, perhaps two shows at the Cove; pretty certain one was Les McCann, and the other may have been Muddy Waters.

Cotton, who passed in 2017, was one of the finest harmonica players, and a talented singer and songwriter.  Here he is.

UPDATE:  It wasn't exactly a rock concert but I recently vaguely remembered attending a Marlene Dietrich concert with my mother, who loved Dietrich, in the early 1970s that was held in the Danbury, CT area.  A little research revealed Dietrich played a week of shows at the Candlewood Playhouse in New Fairfield, CT in July 1974.  I was left with the impression of watching a fading diva (Marlene was 73 at the time) do her thing for an adoring audience.  Dietrich retired from performing the following year.

Fall 1974
Al Stewart
Orpheum Theater
Boston MA

Stewart performed the historical songs from his Past, Present, and Future album.  The emotional highlight was Road To Moscow, his epic song of the Eastern Front in World War Two (and the subject of one of THC longest posts, The Annotated Roads To Moscow), backed by a three part screen spanning most of the stage showing scenes from that conflict, capped by projecting a photo across all the screens of Alexander Solzhenitysn as former soldier, imprisoned in the Gulag; a climax given added poignancy with the publishing of The Gulag Archipelago in December 1973 and Solzhenitsyn's expulsion from the Soviet Union the following February.

The Orpheum was the big rock concert hall in Boston, where established acts came to perform.

December 9, 1974
Genesis
Orpheum Theater
Boston MA

The Lamb Lies Down On Broadway tour, the last before Peter Gabriel left, leading eventually to the band's superb prog rock drummer, Phil Collins, becoming its front man for the recharged and more pop oriented Genesis of the 1980s.  I was a fan of early Genesis except did not care for the Lamb Lies Down on Broadway.  Bizarre show with Gabriel wearing his odd costumes; the highlight came at the end - The Musical Box from the 1971 Nursery Cryme album - watch and behold the glory and absurdity of peak prog rock!  Here ya go, and don't miss the last three minutes.

1975-78
Jonathan Edwards
Multiple venues in Boston area

From 1975 to 1978 I lived in Maynard, MA and two of my roommates were full time musicians.  One had just started as pianist and arranger for Jonathan Edwards.  Edwards had one big hit, Sunshine, in 1971, but remained a popular live act, particularly in New England.  I saw Jonathan and the band play several times and they put on a great show.  Unfortunately, I can't find any video from this time period.  Kenny White was, and is, an incredibly talented pianist.  He went on to a two decade career arranging and producing commercials, many of which you will remember, and for the last 15 years has pursued a solo career and is currently opening for Stephen Stills and Judy Collins on their tour. Jonathan is also the link connecting me with Elvis Costello (for more see below).

Sometime between 1975 and 1978
BB King
Worcester MA

What a pleasure listening to that man play and sing.  There were better guitarists but no one ever had a sweeter tone.

February 20, 1975
Roxy Music
Orpheum Theater
Boston MA

One of my favorite 70s band.  Wild and loopy stuff.  By the end of the decade their shtick became boring.  To sample the work of Bryan Ferry and the gang try Do The Strand, A Song For Europe, and In Every Dream Home A Heartache. 

1976 or 1977
NRBQ
Cambridge MA

The New Rhythm and Blues Quartet.  A regional Northeast favorite for many years, featuring Al Anderson on lead guitar.   Raucous and fun.  This was the best I could find on YouTube but doesn't really capture their full power.

December 9 or 10, 1977
Elvis Costello & The Attractions
ParadiseClub
Boston MA

You can read how I learned about Elvis, and that first show here.  He was electrifying.

Just came across this audio of the December 9 show.  This is not exactly the playlist we heard so I think we were there on the 10th.  He played every song listed but at least one other, (I Don't Want To Go To) Chelsea.  To understand what it was like, listen to the last two songs, Lipstick Vogue and Watching The Detectives, starting at 31:40, though the audio understates how loud The Attractions were that night.

The Paradise Club opened on September 22, 1977 and was up Commonwealth Avenue, just beyond Boston U.  Seating a few hundred (my recollection is less than 500) it was where bands on their first US tours often played.

May 4, 1978

Elvis Costello & The Attractions
Mink DeVille
Nick Lowe & Rockpile
Orpheum Theater
Boston MA

On the heels of This Year's Model, Elvis and the band were quickly back in Boston playing a much bigger venue.  Another show filled with tension and excitement.  Elvis was beginning to master how to control large audiences.  Nick Lowe was good.  Mink DeVille was not.

June 18, 1978
The Jam
Lyceum Ballroom
London UK

There were two other forgettable bands on the bill for this show headlined by The Jam, who I already knew from In The City.  Concert was sold out.  We stood at back for entire show.

I had arrived in Europe in late May, not returning until the end of September, and spending time in France, UK, Italy, and Greece.  The future Mrs THC was in Paris.  Had a friend living in London and went to see him and another U.S. friend who came over and the three of us went to the Lyceum.

Summer 1978
Doc Watson
Paris France

I fell in love with Doc's voice and guitar playing a few years before by listening to Will The Circle Be Unbroken.  His warm speaking and singing voice enveloped the listener.  Seeing him live was a similar experience.   His son, Merle, played with him.  Can't find information on the location.  We ended up seated next to some French guys my age who were learning to play baseball under the tutelage of an American coach.  A few days later I met up with them at the Bois de Boulogne to play some ball.

February 23, 1979
Dire Straits
Paradise Club
Boston MA

In the fall of 1978 I heard songs by two new bands that immediately captured me.  The first, Roxanne by The Police, the second, Sultans of Swing by Dire Straits.  When Mark Knopfler's band came to Boston for the first show on its first US tour I had to see them.

March 29, 1979
Elvis Costello & The Attractions
Squeeze
Orpheum Theater
Boston MA

The acoustics were lousy for this concert,  so it's the only of the eight times seeing Elvis I left disappointed.  Too bad, because Squeeze were on the bill and did not impress me since could not hear them well, though I later became a fan.  Elvis would totally redeem himself with a masterful performance upon returning to the Orpheum in 1981. 

[ADDED: I mixed this up.  Squeeze opened the 1981 show.  Elvis was good but did not meet the high expectations set by his first two shows.]

Summer/Fall 1979 (?)
Boomtown Rats
Paradise Club
Boston MA

Uncertain about the time here, could have been in '80.  An Irish Band, fronted by Bob Geldorf.  Their only hit in the US was I Don't Like Mondays, but I preferred Rat Trap, their attempt at a Bruce Springsteen anthem.

1973-79
The Boston Bands

During this period I saw a lot of fine local acts in Cambridge and Boston bars, like the Pousette Dart Band and Zamcheck, but remember most The Estes Boys, a popular country rock band, because my other roommate musician, Eli Nelson, played pedal steel in the group.  Went to many of their gigs, many of them at Jonathan Swift's, a bar in Harvard Square, at one of which I sat with Red Sox pitcher, Bill "Spaceman" Lee, who was very funny, and very hammered.  This is what the Estes Boys sounded like.  Eli went on to play pedal steel on tour with Mickey Gilley's Urban Cowboy Band.

Saturday, March 31, 2018

The Mist Covered Mountains

THC feels like something relaxing right now.  The Mist Covered Mountains, composed by Mark Knopfler for the soundtrack to the movie Local Hero.

Saturday, June 8, 2013

1978

In October 1978 I returned to the U.S. after spending five months in Europe with no job and no place of my own so I was living with friends and searching for work.  And somehow the Red Sox who were stomping the rest of the American League when I left in May didn't even win their division.  I'd been very out of touch while in Europe so when I got back to Boston I kept asking people what had happened.  No one wanted to talk about it.

Two brights spots that fall were hearing a couple of exciting new bands with their debut records.  The first was Sultans Of Swing by Dire Straits featuring Mark Knopfler's unique guitar style.  Unusual sound and lyric and so breezy and cool.  The second was Roxanne by The Police.  Very catchy and employing what was to be their trademark on their first couple of albums - repeating over and over again the title of the song.

Sunday, March 3, 2013

Fat Guitar

A few weeks ago THC told you about Fat Bass.  Now's it time for Fat Guitar which occurs when the notes ooze out of the guitar so thick that you can almost see and feel them.  It's like a big drop of rain that's about to fall off the branch of a tree. Here's a fine example of the genre - Brothers in Arms by Dire Straits (1986) with the fabled Mark Knopfler on guitar (as well as croaking on the vocal).  Just listen to the guitar phrase after "there's so many different world", the break that comes after it and the long, long fadeout.  A very heavy song.

These mist covered mountains
Are a home now for me
But my home is the lowlands
And always will be


Some day you'll return to
Your valleys and your farms
And you'll no longer burn
To be brothers in arms

Through these fields of destruction
Baptisms of fire
I've witnessed your suffering
As the battles raged higher

And though we were hurt so bad
In the fear and alarm
You did not desert me
My brothers in arms

There's so many different worlds
So many different suns
And we have just one world
But we live in different ones

Now the sun's gone to hell
And the moon's riding high
Let me bid you farewell
Every man has to die

But it's written in the starlight
And every line in your palm
We're fools to make war
On our brothers in arms

Friday, September 14, 2012

Down To The Waterline

No money in our jackets
And our jeans are torn
Your hands are cold
But your lips are warm


From Dire Straits.  Saw them play this on their first US tour in late '78 or early '79 at the Paradise Club in Boston.  I can listen to Mark Knopfler's guitar for hours and we'll do some more posts featuring his playing.  Along with his Dire Straits and solo career he's also written several film scores.

My favorite is Local Hero (1983).  Set in the Scottish highlands, it's about an American oil company's attempt to buy a small Scottish village so it can build an oil terminal - that is, to the extent the movie is about anything because it just sort of ambles along in a low-key humorous way.  The stars are Peter Riegert ("Boon" in Animal House) and Burt Lancaster in one of his last films.  We'd camped in the area where the film is set while on a trip in the U.K. in 1978 so it provided a little extra jolt to see some of that beautiful coast again.

The movie was the centerpiece of a trio of films directed by Bill Forsyth in the early 1980s, the first being Gregory's Girl and the last Comfort And Joy, which is about the rivalry of two Glasgow ice cream companies and the secret to making ice cream fritters.  All are set in Scotland (we only understood about half the dialogue in Gregory's Girl) and we really enjoyed all of them.  None of them had a traditional story arc and I saw a quote that said something to the effect that Forsyth made films "using the scenes other directors would cut".  After that he went off to Hollywood, lost his mojo, and never made anything watchable again.

To see how Knopfler's music works together with Forsyth's direction here's a clip from Local Hero.  It's the last scene, but don't worry it doesn't spoil anything if you want to see the whole film sometime.