One of my favorites from The Temptations from among their cascade of hits from the mid-60s into the early 70s. Composed by Norman Whitfield and Barrett Strong, released in 1969, hitting #1 and ranked by Billboard as the third most popular single of the year. From their appearance on the Ed Sullivan Show in September 1969.
Saturday, March 21, 2026
Wednesday, June 29, 2022
The Motown Playlist
Recently I've been on a bit of a Motown binge (see, for instance, Holland-Dozier-Holland). I was going to do a post on my Top Ten favorites but after #1 (Reach Out, I'll Be There) and #2 (Marvin Gaye's version of I Heard It Through The Grapevine), I couldn't make any further headway in the ratings because Motown produced so much great music from the early 60s through 1972.
On a long plane flight a couple of weeks ago I listened to my personal Motown playlist and was reminded once again just how many outstanding songs came out of Detroit and how good the music makes me feel, so I decided to just post my playlist. I listened through my Bose earbuds, which accentuates the bass, enabling me to further appreciate James Jamerson's playing as part of the Motown studio band.
A couple of omissions regarding Stevie Wonder and Marvin Gaye. In the early 70s both transformed their music. In the case of Wonder, it was elevating an already astonishing level of virtuosity into the stratosphere with a creative explosion that lasted the entire decade, so Talking Book and its single, Superstition, and subsequent albums are not included here, nor is Marvin's What's Going On? and its successors.
My Girl (1964)Get Ready (1966)(I Know) I'm Losing YouAin't Too Proud To BegAll I Need (1967)I Wish It Would Rain (1968)Cloud NineI Can't Get Next To You (1969) - The best of ensemble singing. Everyone contributes.Ball Of Confusion (1970)Just My Imagination (1971)Papa Was A Rolling Stone (1972)
Baby I Need Your Loving (1964)I Can't Help Myself (1965)It's The Same Old SongSomething About YouShake Me, Wake Me (1966)Reach Out (I'll Be There)Standing In The Shadows Of LoveBernadette (1967) - Levi Stubbs takes pleading vocals to another levelWalk Away Renee (1968) - Better than the originalAin't No Woman (Like The One I've Got) (1972)
Fingertips, Part 2 (1963) - 12 year old harmonica playing Stevie in a dynamic live performanceUptight (1965)I Was Made To Love Her (1967)Signed, Sealed, Delivered (1970)
How Sweet It Is (1964)Ain't That Peculiar (1965)Ain't No Mountain High Enough - with Tami Terrell (1967)Ain't Nothing Like The Real Thing - with Tami Terrell (1968)I Heard It Through The Grapevine - Isolated vocal. Wow.
You Really Got A Hold On Me (1962)The Tracks Of My Tears (1965)I Second That Emotion (1967)The Tears Of A Clown (1970)
Heat Wave (1963)Dancing In The Streets (1964)Nowhere To Run (1965)
Where Did Our Love Go (1964)Stop! In The Name of Love (1965)You Keep Me Hanging On (1966)
Mr Postman (1961)Don't Mess With Bill (1966)- Underrated
Shotgun (1965)
War (1970)
Tuesday, January 2, 2018
Papa Was A Rollin' Stone
Momma I'm depending on you to tell me the truthReleased in September 1972, Papa Was A Rollin' Stone was the 22nd top twenty single by The Temptations since 1964 and their fourth, and final, #1 hit (the others being My Girl, I Can't Get Next To You, and Just My Imagination).
Momma just hung her head and said,
"Son, Papa was a rolling stone
Wherever he laid his hat was his home
And when he died, all he left us was alone"
Hey Momma
Folks say Papa never was much on thinking
Spent most of his time chasing women and drinking
Momma I'm depending on you to tell me the truth
Papa was written by one of Motown's top composer/producer teams, Norman Whitfield and Barrett Strong. Strong began his career with Motown as a singer and delivered its first hit single, Money (That's What I Want) in 1962, but quickly transferred into a songwriting partnership with Whitfield, writing tunes like War (for Edwin Starr), I Heard It Through The Grapevine, and a slew of Temptations hits ( such as Just My Imagination, Ain't Too Proud To Beg, Cloud Nine, Ball of Confusion).
The studio musicians were The Funk Brothers and the Detroit Symphony Orchestra. I've been unable to find which specific Funk Brothers players were on the track except for Wah Wah Watson (Melvin Ragin) who is responsible for the wah-wah guitar.
Below is the 7 minute hit single (with its nearly two minute intro), edited down from the full 12 minute version.