— Saul Goodman ⚖ (@itsSaulGoodman) April 21, 2024
Lalo, Gus, Mike, and Howard. They're all gone now. Lalo murdered Howard. Gus killed Lalo. Mike buried Howard and Lalo, and then Walt bombed Gus and shot Mike.
— Saul Goodman ⚖ (@itsSaulGoodman) April 21, 2024
Lalo, Gus, Mike, and Howard. They're all gone now. Lalo murdered Howard. Gus killed Lalo. Mike buried Howard and Lalo, and then Walt bombed Gus and shot Mike.
Or, in my case, Grandpa Rock. Walter White rhapsodizing on the virtues of Steely Dan. He may have been a meth kingpin and killer but what great taste in music! Extra bonus points for mentioning Boz Scaggs who, in 2012, toured with Dan co-founder Donald Fagen and frequent Dan background singer Michael McDonald; here they are performing Boz's big hit Lowdown.
Vince Gilligan, the creator of the televisual worlds of Breaking Bad and Better Call Saul, has an unusual talent: he is brilliant at showing us work. What does it feel like to test fast-food sauce recipes, to push a mail cart around an office, to make a cement walkway, or to highlight relevant items in a laborious legal discovery process? What does it look like to cook up meth? In his hands, the work of men and women becomes weirdly gripping.The law plays an important role in Better Come Saul. For both Chuck McGill and Kim Wexler it provides structure and rules for lives that might have otherwise become chaotic. In contrast, Jimmy McGill finds himself unable to abide by those constraints. Tragedy lies ahead.
Better Call Saul takes the style that made Breaking Bad distinctive—the astonishing cinematography, dark comedy, and brashly confident pacing—and elevates it by applying it with more beauty, subtlety, and moral sophistication.If you haven't watched it, check it out.
Perversely, Better Call Saul aims higher than its progenitor by lowering the stakes. Through its first two seasons, the show has concerned itself not with murderers and kingpins but with the mundane dilemmas of Jimmy McGill, a silver-tongued man with a gift for conning people who is trying not to use it. The show’s emotional core lies in his relationship with his older brother, Chuck, a brilliant lawyer who doesn’t believe that no-good Jimmy can play it straight for long. Jimmy aspires to please Chuck and go legit even though his talents offer tempting shortcuts.
This is clear in Saul’s understated, methodical, and deliberate plotting, and the suspense the show creates with each subtle turn. Why is Mike Ehrmantraut, the beloved Breaking Bad heavy, drilling holes in a garden hose with his granddaughter? Why does Nacho, a savvy drug-world apparatchik, pause to check out the leather seats in that Hummer? Why does Kim Wexler (Jimmy’s friend, colleague, advocate, and love) rip a business card with his name on it in half? Every modest moment in the show builds to a fascinating payoff. It’s also notable that the characters the show has introduced—including meticulous Nacho (Michael Mando), loyal and ambitious Kim (Rhea Seehorn), and conniving Chuck (Michael McKean, who like Odenkirk is a comic actor giving an authoritative dramatic turn)—are as compelling as the two we’ve watched for years.
"Breaking Bad, to its enormous credit, isn't about everything. It's about one thing and always has been: Walter White's calamitous path not from Mr. Chips to Scarface but from homeroom to the gates of hell."