I'd forgotten this 1994 song by Seal until listening to the latest installment of What Makes This Song Great? by Rick Beato, and remembered how much I liked it. And you don't have to be a musician to enjoy Rick's song breakdowns; if you simply like music it will help rekindle your enjoyment of older songs. First up is the song, followed by Rick's analysis (and he gets special insight directly from Seal).
Though many of The Who's early singles are now regarded as classics (My Generation, The Kids Are Alright, Substitute, I Can't Explain) none charted in the USA, and the highest charting of their first three albums (The Who Sell Out) only reached #48. It was only with the release of Tommy in May 1969 that the band gained widespread popularity in the States. At the time, I thought Tommy was great, but though it has a lot of outstanding songs the production is flawed and the sound of the record much too subdued.
Live At Leeds, released in May 1970, remains the finest live rock album ever released and Who's Next (August 1971) was an instant classic with most of the tracks still standards today. When the double-album Quadrophenia was released in October 1973, I liked it but thought it not as outstanding as the prior three albums. In recent years, I've returned to listening to Quadrophenia and now regard it as the apex of The Who's studio recordings. The songs work individually and together to tell a coherent story, the lyrics are consistently the best Pete Townshend ever wrote, the band incredibly tight, and the production ties it all together. The closing song, the majestic and moving Love Reign O'er Me, combines it all and adds the best vocal of Roger Daltrey's career; and one of the greatest vocals in rock.
Take the time to listen to it here, and below is Rick Beato's breakdown. As usual, Rick's knowledge and enthusiasm (along with his air drumming) makes the video a joy to watch.
Only love Can make it rain The way the beach is kissed by the sea Only love Can make it rain Like the sweat of lovers' Laying in the fields
Love, reign o'er me Love, reign o'er me, rain on me, rain on me
Only love Can bring the rain That makes you yearn to the sky Only love Can bring the rain That falls like tears from on high
Love, reign o'er me, rain on me, rain on me Love, reign o'er me, rain on me, rain on me
On the dry and dusty road The nights we spend apart alone I need to get back home to cool, cool rain I can't sleep and I lay and I think The night is hot and black as ink Oh God, I need a drink of cool, cool rain
Love, reign o'er me, rain on me, on me, on me, oh Love, reign o'er me, whoa, on me
A while back I did a post on a song by the band I Nine. The group broke up ten years ago, so I was surprised to find Rick Beato (whose music channel I've written of before) goes way back with the band to its early days. In 2018, Rick did a segment with Carmen Keigans, the group's vocalist (the guitarist also participates) and it is wonderful. In it he plays the demo for I'll Be There. It was the album version of this song that made me a fan but the demo is actually better. It's also a showcase for Carmen's incredible voice. Give it a listen.
And stay for the rest of the interview (she does some a capella singing). Along with her phenomenal voice Carmen radiates charm and charisma. While she does a little composing and singing, she's now a full time pediatric nurse and has two young children of her own. (ALERT: Unfortunately the embedded video has been disabled - click here and it will take you to a playable version; start at 3:40)
In this article Carmen speaks of her decision to leave the band and pursue a nursing career:
I have people tell me that I am wasting my talent and that I
should start performing again," Keigans said. "I re-read my journal
recently and saw how many times I wrote, ‘I know God does not
intend for me to spend my days in the back of a van.' I spent most
of my days in the van while we were touring."
The band's record contract was up in October 2008, and she moved
everything she owned back to Orangeburg to be closer to her father.
She told the band she needed some time to figure things out, and
what she figured out was that nursing school was the best choice
for her.
She still feels like she gets to perform -
although perhaps on a smaller scale - when she works with pediatric
patients.
"It is so amazing to work with children," Keigans said. "We will
do what we can to cheer them up and put smiles on their faces.
Sometimes that means performing or singing a song together."
The hook for the video is the recently announced lawsuit against Lady Gaga for allegedly plagiarizing her song Shallow, from the movie A Star Is Born. Rick quickly dismisses the lawsuit as nonsense but it leads to a fascinating discussion on the trend in pop music over the past two decades to rely on variations of the I-IV-V-VI chord structure for so many songs. He and Rhett Shull discuss many aspect of pop and why music has ended up in a straight jacket. Rick points out that of 27 Number One singles by The Beatles only one (Let It Be) used the I-IV-V-VI progression (if you're more familiar with chord names, in the key of C that would be C, F, G, Am).
Below is the discussion and as an extra bonus this is Rick's discussion of Steve Gadd's amazing drum workon Steely Dan's Aja. Rick provides less technical discussion than usual but his enthusiasm is infectious.